“Wallpaper* strives to keep its edge with guest eds and die-cuts

Print can still do lots of things you can’t do online, and one of the more striking and tactile techniques in the print designer’s armoury is die-cutting, writes John L. Walters. The October issue of Wallpaper*, out next Thursday (11 September), goes to town with some sculptural custom cuts – in a special sixteen-page section, and on one of the three alternative front covers. But they don’t appear to be the kind of gratuitous ‘paper porn’ you see in elaborate paper promotions, or in limited-edition laser-cut book art like Olafur Eliasson’s (admittedly rather beautiful) Your House. This is a mass-market mag with a print run of 200k, destined for your local newsagent.

We’ve not managed to get our hands on a copy yet, but these snaps show something of the way this labyrinth of die-cuts springs from the content provided by Zaha Hadid, one of three guest editors. (The other two are artist Louise Bourgeois and Comme des Garçons founder Rei Kawakubo.) Hadid’s reputation rested on two-dimensional work on paper (see ‘The architect as illustrator’ by Catherine Slessor, Eye no. 35 vol. 12) long before she built anything substantial, so it is no surprise to see her work in the medium of a magazine. (She contributed a limited edition cover to the May 2006 Wallpaper*, too.) The gatefold cover and cut pages represent Hadid’s Lotus, to be launched at the Venice Biennale next Friday (12 September).” via eye blog





mwm graphics

April 5, 2009

diversity and quality are two things coming to mind when i look at what matt w moore does professionally. he is a designer, illustrator and generally a creative mind i guess. and, it’s pretty hard to stand out these days where you can find pretty much everything over and over again, where the same thing with just a different name on the tag is only a mouse click away.

doesn’t happen that often that you find someone who does wallpapers, snowboards, art, packaging and other stuff with such a high quality level and unique style.

check out his site and work. mwm graphics






artless, shun kawakami

April 1, 2009

pretty interesting guy this shun kawakami from japan. born 1977 in tokyo he became an artist and designer, co-founder and head of artless inc. an art and design studio that focuses mainly on graphic arts and design, interactive, installation, video and exhibition.

get lost on the artless website, pretty interesting, the site itself as well as their work – artless.co.jp



like this a lot! it is art that’s not only thoughtful but also artful and artistic in a literal sense. on a first glimpse just black and white, 2d graphical that turns with the second look into a delicate and complex 3d installation. debbie smyth was selected as one of the most promising graduates of 2008 for the dezeen talent zone. her installation pins & threads uses, as the title suggests, sewing pins and black thread to draw a series of electricity pylons across several canvas panels.

the technique transforms ordinary structures — often thought of as ugly blots on the landscape — into beautifully minimal graphic drawings, which are at once 2D and 3D, anchored to their panels but also floating in space.

debbie smyth graduated from the west wales school of arts in 2008 and describes herself as a constructed textile artist. her work employs “an array of mechanisms, she folds, collapses, inflates and interlocks her materials to transform two-dimensional lines and planes into three-dimensional shapes and space.”


by “fast company” 02/11/09

Crispin Porter + Bogusky
: New clients including Best Buy, Hulu, Microsoft, and Old Navy have flocked to the ad shop that made Burger King cool.

: TBWA’s Media Arts Lab’s “Get a Mac” tag team continues to define the brand battle of the 21st century.

Barbarian Group
: The scrappy digital production shop behind the Subservient Chicken is now an interactive lab for companies such as Adobe and CNN.

: Advertising at this boundary-crossing agency spans fuel-efficiency apps for Fiat, alternate-reality games for McDonald’s, and sneaker-design tools for Nike.

: The media-agnostic British shop has grown 80% in New York with clients such as Johnson & Johnson and Nokia.

: The two-year-old mobile ad network had a banner year and landed $17 million of funding from Sequoia Capital.

Saatchi & Saatchi S
: Former Sierra Club prez-turned-Wal-Mart consultant Adam Werbach gained access to huge companies after Saatchi & Saatchi bought his firm.

Goodby, Silverstein & Partners
: The San Francisco-based agency stretched far beyond display ads, including a Wario Wii ad that demolished its own YouTube page.

42 Entertainment
: The stealth multi-platform marketers built buzz for The Dark Knight with an alternate-reality campaign.

Obscura Digital
: This band of projectionists turns the world into a billboard for brands including GM, Google, and Oracle.

fast company website

visual crap

March 13, 2009

allright, how many more times do i need to see a toilet paper in combination with a space to put down a killer idea? no more! same counts for napkins of all kind. we’ve seen it. ok? if this is advertising for a visual arts school then better do something that’s fresh, as the next guard of visual artists should be, and first and foremost: think! as claimed.

also, i bet in most cases there is going to be still crap on that toilet paper no matter if you wipe off your brain or a…


jay z typography

March 12, 2009

brooklyn (go hard), interesting video but it would have been nice to form the face out of the lyrics versus just the brooklyn. anyways refreshing to see from jay z instead of some worn out gangster stuff, quite stylish.